LOCATION BLACK ROCK CITY
Mamou-Mani Architects: Arthur Mamou-Mani, Nina Pestel, Ayham Kabbani, Holly Hawkins, Youen O’Malley, Liubov Zakharova, Andros Antoniades, Krishna Bhat
Therme Art Program: Mikołaj Sekutowicz, Sara Maria Faraj, Shelby Seu, Konrad Schorlemmer, Yi Weihua, Sheena Leach, Marta Cavallé, Alexandra Dorisca, Caterina Nicolini, Ilaria Peloso, Anna Oerter, Giulia Cordier, Ocean LeClair, Margaux Gazur
One Hat One Hand: Nick Moser, Marcus Guillard, Dallas Swindle, Kow Kao, Eduardo Teran, Christian Cummings and Many More
Format Engineers: James Solly, Stephen Melville, Lloyd Evans, Camille Chevrier
Collaborators: Katelyn Lyster, Robert Hanea, Philipp Treml, Constanze Leuschner, Lucas Von Oostruum, Jeremy Crandell, Sophia Swire, Jo Craven, Moritz Waldemeyer and Svetlana Marich
Photos Credits: Laurian Ghinitoiu
Catharsis is made of a total of 60 timber modules assembled through metal hinges developed with our engineers. It has a 7-fold rotational symmetry which will help with repetition in the process of fabrication and assembly. The spaces are connected with nets for people to rest and interact above the structure itself. It also has benches for burners to park their bikes prior to experiencing the space.
Catharsis is a fractal amphitheater offering endless possibilities to place and perform art, an open lattice encouraging interaction and placement of gifts for communities in and out playa.
Instead of fire, we will work with Drone Stories to create a digital flames and reveal catharsis’ fractal geometry in the sky.
Catharsis cannot be owned or quantified. It will re-define itself constantly throughout the event with burners placing art in the form of gifts, inspired by eachother. Catharsis comes from the greek, in which tragedy’s pain would be processed by the public, an artistic form of purification. In psychoanalysis, it makes the sub-conscious conscious and turns our dream into a reality we can understand. Processing emotions and getting them out, an artistic process with a collective dimension.
Catharsis will act as portal to our dreams. As a fractal maze-like geometry at the cross section of mathematics and nature, the experience through it will never be the same twice. It will feel like a dream within a dream within a dream: A rabbit hole in which burners will get lost, whilst finding themselves again! Maybe we need dreams to understand our reality?
It currently only exists in the Metaverse of BRCvr, with thousand of avatars experiencing it throughout the covid crisis next to Galaxia. It is the Yin to the Temple’s Yang. Instead of a build piece becoming virtual, this will be a virtual piece becoming real.
Burners will have an uncanny feeling of reality after flying through it digitally. We believe the piece must be freed from the metaverse and needs a physical equivalent to be whole. The process of mindfulness is making our dreams conscious!
By re-assembling the project elsewhere, our aim is to create a bridge between BRC and the communities that cannot access it.
‘Burning Man has forced me and our students to think with time and buildability in mind. The biggest challenge for Catharsis was to build a safe structure that could be assembled and disassembled several times. I love this idea: allowing buildings to have several lives, assembled when needed and stored when not, in the spirit of the circular economy.’
Instead of burning this project as with Galaxia, our aim was to reassemble the project in the courtyard of London’s Somerset House to establish a dialogue between cities, and for the wider community to respond to these messages. We now hope that by creating a virtual event, we can allow anyone around the world to visit the space online. In this surreal parallel universe, the catharsis is now in all of us! Dreams to be continued…